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American playwright

David Henry Hwang
Hwang in 2013

Hwang in 2013
Born (1957-08-11) Baronial 11, 1957 (age 64)
Los Angeles, California, U.Due south.
Occupation Playwright, screenwriter, television author, librettist, lyricist
Education Stanford University (BA)
Yale University (MFA)
Menses 1980–present
Genre Drama
Subject Asian-American Identity
Gender Politics
Literary move Contemporary Drama
Notable works Play a joke on
The Dance and the Railroad
Family Devotions
M. Butterfly
Golden Kid
Flower Drum Song (revival)
Yellow Face
Chinglish
Soft Power
Spouse Ophelia Y. M. Chong (1985-1989)
Kathryn Layng (1993–nowadays; 2 children)
David Henry Hwang
Traditional Chinese 黃哲倫
Simplified Chinese 黄哲伦

David Henry Hwang (born August 11, 1957) is an American playwright, librettist, screenwriter, and theater professor at Columbia University in New York Urban center. He has won three Obie Awards for his plays FOB, Golden Child, and Yellow Face. Three of his works—G. Butterfly, Yellow Face up, and Soft Power—accept been finalists for the Pulitzer Prize for Drama.

Early on life [edit]

He was born in 1957 in Los Angeles, California, to Henry Yuan Hwang, the founder of Far East National Bank,[1] and Dorothy Hwang, a pianoforte instructor. The oldest of three children, he has two younger sisters. He received a bachelor'south degree in English from Stanford University in 1979 and attended the Yale School of Drama between 1980 and 1981, taking literature classes.[2] He left once workshopping of new plays began, since he already had a play beingness produced in New York. His first play was produced at the Okada House dormitory (named Junipero House at the time) at Stanford University after he briefly studied playwriting with Sam Shepard and María Irene Fornés.[3] In summer 1978, he studied playwriting with Sam Shepard and attended Padua Hills Playwrights Festival, both of which led him to write his commencement plays such every bit Play a trick on.[4]

Career [edit]

Playwright David Henry Hwang didactics a writing class in San Francisco's Fort Mason in 1979

Trilogy of Chinese America [edit]

Hwang'due south early plays concerned the role of the Chinese American and Asian American in the contemporary world. His start play, Play a trick on,[5] explores the contrasts and conflicts between established Asian Americans and "Fresh Off the Boat" new immigrants. The play was developed by the National Playwrights Briefing at the Eugene O'Neill Theater Center and premiered in 1980 Off-Broadway at the Joseph Papp Public Theater. It won an Obie Award.[6] Papp produced four more of Hwang'southward plays, including 2 in 1981: The Dance and the Railroad, which tells the story of a former Chinese opera star working as a coolie laborer in the 19th-century American West,[7] and Family Devotions,[8] a darkly comic take on the effects of Western organized religion on a Chinese-American family. This was nominated for the Drama Desk-bound Award. Those three plays added up to what the writer described equally a "Trilogy of Chinese America."[9]

Branching out / national success [edit]

After this, Papp also produced the show Sound and Beauty, the bus title to 2 Hwang comedy plays ready in Japan. At this fourth dimension, Hwang started to work on projects for the modest screen. A television movie, Bullheaded Alleys, written by Hwang and Frederic Kimball and starring Pat Morita and Cloris Leachman, was produced in 1985 and followed a telly version of The Dance and the Railroad.[7]

His next play Rich Relations, was his first full-length to feature not-Asian characters. Information technology premiered at the Second Stage Theatre in New York.[10]

Hwang's all-time-known play was Yard. Butterfly, which premiered on Broadway in 1988. The play is a deconstruction of Giacomo Puccini'southward opera Madama Butterfly,[11] alluding to news reports of the 20th-century relationship between French diplomat Bernard Boursicot and Shi Pei Pu, a male Chinese opera vocalizer. Shi purportedly convinced Boursicot that he was a woman throughout their twenty-yr relationship.[12] The play won numerous awards for Best Play: a Tony Award (which Hwang was the offset Asian American to win), the Drama Desk-bound Award, the John Gassner Award, and the Outer Critics Circle Award. It was the first of three of his works to become a finalist for the Pulitzer Prize for Drama.

Work mail service-Butterfly [edit]

The success of M. Butterfly prompted Hwang'due south interests in many other different directions, including piece of work for opera, film, and the musical theatre. Hwang became a frequent collaborator as a librettist with the world-renowned composer Philip Glass.[13]

One of Grand. Butterfly's Broadway producers, David Geffen, oversaw a film version of the play, which was directed by David Cronenberg.[fourteen] Hwang likewise wrote an original script, Gilt Gate, which was produced by American Playhouse.[15] Hwang wrote an early draft of a screenplay based upon A. Due south. Byatt'southward Booker Prize-winning novel Possession, which was originally scheduled to be directed by Sydney Pollack. Years subsequently, director/playwright Neil LaBute and Laura Jones would collaborate on the script for a 2002 flick.[16]

Throughout the 1990s, Hwang continued to write for the stage, including short plays for the famed Humana Festival at the Actors Theatre of Louisville. His total-length Gold Kid, received its world premiere at South Declension Repertory in 1996. Golden Child was later produced in New York City. Information technology won a 1997 Obie Award for playwriting for Hwang's 1996 off-Broadway product. In 1998 it was produced on Broadway, and was nominated that twelvemonth for a Tony Honour for Best Play.[17]

Return to Broadway [edit]

In the new millennium, Hwang had two Broadway successes back-to-back. He was asked by director Robert Falls to assistance co-write the book for the musical Aida (based upon the opera by Giuseppe Verdi). In an before version, it had failed in regional theatre tryouts. Hwang and Falls re-wrote a significant portion of the book (by Linda Woolverton). Aida (with music and lyrics by Elton John and Tim Rice) opened in 2000 and proved highly profitable.[xviii]

His next project was a radical revision of Richard Rodgers, Oscar Hammerstein, II, and Joseph Fields' musical Flower Pulsate Song.[xix] Although successful when introduced in the 1950s and early on 1960s, it had get dated. The Civil Rights Move and other cultural changes had disrupted continuing stereotypical portrayals of Asian American communities. Though it had never been a full critical success, the work inspired some other generation of Asian Americans to re-imagine this musical. It was adapted from the novel The Flower Drum Vocal by C. Y. Lee, and tells the civilisation clash encountered by a Chinese family living in San Francisco.[twenty]

The Rodgers and Hammerstein Organization allowed Hwang to significantly rework the plot, while retaining character names and songs. His 2002 version —both an homage to the original and a mod re-thinking— won him his third Tony nomination.[21] Though Flower Drum Vocal is often called the offset musical with an all-Asian bandage, the original production had cast many non-Asians in leading roles, including Caucasians and an African-American (Juanita Hall). Simply the 2002 revival was produced with an all-Asian cast of actor-singers, and it toured nationally.[20]

Back to The Public [edit]

David Henry Hwang at the Public Theater in New York City in 2008.

Hwang's 2007 play Yellowish Face relates to his play Face Value, which closed in previews on Broadway in the early 1990s. He wrote it in response to a controversy about the casting of Jonathan Pryce in a Eurasian role in Miss Saigon. Face Value, which included music and lyrics for a musical-within-a-play by Hwang, lost millions of dollars. Information technology was a stumbling cake in the careers of Hwang and producer Stuart Ostrow.[22]

In Yellow Face, Hwang wrote a semi-autobiographical play, featuring him as the main character in a media farce virtually mistaken racial identity. This had been besides an important chemical element in Confront Value.[22]

Yellow Face premiered in Los Angeles in 2007 at the Mark Taper Forum as a co-production with East Westward Players. Information technology moved Off-Broadway to the Joseph Papp Public Theater, an important venue for Hwang'south earlier piece of work. Information technology enjoyed an extended run at the Papp, and won Hwang his 3rd Obie Award for Playwriting. The play was a finalist for the Pulitzer Prize for Drama.[23]

Hwang also wrote a new short play, The Swell Helmsman for the Papp's dark of plays: 10.[24]

Opera [edit]

Hwang has continued to work steadily in the globe of opera and musical theatre, and has written for children'southward theatre every bit well. Hwang co-wrote the English language-language libretto for an operatic adaptation of Lewis Carroll'south Alice in Wonderland with music (and function of the libretto) past the Korean composer Unsuk Chin. It received its world premiere at the Bavarian State Opera in 2007 and was released on DVD in 2008.[25]

Hwang wrote the libretto to Howard Shore's opera The Fly, based on David Cronenberg's 1986 film of the same proper noun. The opera premiered on July 2, 2008, at the Théâtre du Châtelet in Paris, France, with Cronenberg equally director and Plácido Domingo conducting.[26]

Hwang wrote the libretto for Tarzan, a musical based on a pic by Walt Disney Pictures, which was produced on Broadway.[27]

Hwang also collaborated on the multi-media event Icarus at the Edge of Fourth dimension, adjusted from Brian Greene's novel of the aforementioned name. It featured music by Philip Drinking glass and a film by "Al and Al." The piece premiered as part of the World Science Festival.[28]

After its major success at Chicago'due south Goodman Theatre, Hwang's play, Chinglish, quickly made its style to Broadway in Oct 2011. It won the Joseph Jefferson Award. Chinglish was largely inspired by Hwang'due south frequent visits to People's republic of china and his observations of interactions between Chinese and American people. Ticket sales of Chinglish were conservative.[29]

Hwang's brusque play A Very Dna Reunion was written for the evening of plays The Deoxyribonucleic acid Trail, which was conceived past Jamil Khoury and premiered at the celebrated Chicago Temple Building.[thirty]

Since 2010 [edit]

Hwang worked on a theatrical commission for the Oregon Shakespeare Festival and Arena Stage in Washington, DC. This was a musical version of Aimee Isle of mann's album The Forgotten Arm, with Isle of mann and Paul Bryant. He as well worked on screenplays for DreamWorks Animation and directors Justin Lin and Jonathan Caouette.[31] In 2013, a production of Yellow Face premiered on YouTube. It was directed and adapted past Jeff Liu, and featured Sab Shimono amongst other actors.[32]

In 2014 two new Hwang plays were premiered. The kickoff, Kung Fu, about the life of Bruce Lee, premiered as part of his residency at the Signature Theatre Off-Broadway. The play opened Feb 24, 2014 in a production directed by Leigh Silverman, and featuring Cole Horibe, who had gained fame in the TV series, And then You Call back Y'all Can Dance.[33] The 2d was Cain and Abel, one of many plays included in The Mysteries, a re-telling of Bible stories. Conceived past Ed Sylvanus Iskander, The Mysteries besides featured the piece of work of playwrights Craig Lucas, Dael Orlandersmith, Jose Rivera, and Jeff Whitty.[34]

In 2014, Hwang joined the Playwriting Faculty of the Columbia University Schoolhouse of the Arts Theatre Program. He was appointed the director of the Playwriting Concentration and volition serve every bit an Acquaintance Professor of Theatre in Playwriting. Hilton Als of the New Yorker has described him every bit "the nigh successful Chinese American playwright this country has produced."[35]

In 2016, Hwang became a writer and consulting producer of the Gilded Earth-winning boob tube serial The Affair [36] and in 1993 wrote a song "Solo" in association with Prince.[37]

In the fall of 2016, the San Francisco Opera premiered Dream of the Red Chamber, an opera past Hwang and Brilliant Sheng, based on the eighteenth-century Chinese novel of the same name.[38] In the summer of 2016, Hwang became the chair of the board of the American Theatre Wing.[39]

In the Spring of 2018, Hwang's Soft Ability premiered at the Ahmanson Theatre in Los Angeles, California. The music and additional lyrics are by Jeanine Tesori. Its cast is largely Asian.[40] Information technology transferred to Off-Broadway at the Public Theater in September 2019 (previews).[41] In May 2020, it was a finalist for the Pulitzer Prize for Drama, making Hwang the start person to be a three-fourth dimension finalist without winning.

Works [edit]

Plays [edit]

  • FOB
  • The Dance and the Railroad
  • Family Devotions
  • The House of Sleeping Beauties (based on Yasunari Kawabata'southward novella House of the Sleeping Beauties)
  • The Audio of a Voice
  • As the Crow Flies
  • Rich Relations
  • M. Butterfly
  • Chains
  • Face Value
  • Trying to Observe Chinatown
  • Bang Kok
  • Aureate Child
  • Peer Gynt (based on the play by Henrik Ibsen, co-written with Stephan Muller)
  • Merchandising (Humana Festival T[ext] Shirt play)
  • Jade Flowerpots and Bound Anxiety
  • Tibet Through the Red Box (based on Peter Sister' book)
  • The Smashing Helmsman
  • Yellow Face
  • A Very Deoxyribonucleic acid Reunion
  • Chinglish
  • Kung Fu
  • Cain and Abel

Musical theater [edit]

  • Volume for Aida (music by Elton John, lyrics past Tim Rice; libretto co-written by Linda Woolverton and Robert Falls, based on the opera by Giuseppe Verdi)
  • Revised volume for a revival of Flower Drum Song (music past Richard Rodgers, lyrics by Oscar Hammerstein, Ii, based upon the novel by C. Y. Lee and original book by Joseph Fields)
  • Book for Tarzan (music and lyrics by Phil Collins, based on the novel by Edgar Rice Burroughs and the Walt Disney Pictures pic)
  • Book and lyrics for Soft Power (music and additional lyrics by Jeanine Tesori)

Opera libretti [edit]

  • 1000 Airplanes on the Roof (music past Philip Drinking glass)
  • The Voyage (music by Philip Glass, libretto [in English, Latin, and Spanish] based on Glass' story)
  • The Silvery River (music past Bright Sheng)
  • The Sound of a Vocalization (music past Philip Drinking glass, based on Hwang's plays)
  • Ainadamar (music by Osvaldo Golijov, libretto in Spanish)
  • Alice in Wonderland (music by Unsuk Chin, libretto co-written past Chin, based on the books by Lewis Carroll)
  • The Fly (music past Howard Shore, based on the film past David Cronenberg)
  • An American Soldier (music by Huang Ruo)

Film/television [edit]

  • The Trip the light fantastic and the Railroad (Source of Adaptation just)
  • Bullheaded Alleys (with Frederic Kimball)
  • Forbidden City, U. S. A. (Banana only)
  • Forbidden Nights (story, with Tristine Rainer, based on Judith Shapiro's commodity "The Rocky Course of Love in Mainland china")
  • Grand. Butterfly (based on Hwang'southward play)
  • Golden Gate
  • Picture Bride (Script Advisor only)
  • The Monkey Rex (more usually known as The Lost Empire)
  • Possession (with Laura Jones and Neil LaBute, based on the novel past A. Southward. Byatt)
  • Sound of a Vocalization (Source of Adaptation just)
  • White Frog (Executive Producer and Actor just)
  • The Affair (Consulting Producer, Writer of episode "206")

Other [edit]

  • Yellow Punk Dolls (live dance; choreography past Ruby Shang, music by John Zorn)
  • Dances in Exile (dance film; choreography by Cherry Shang, film by Howard Silver, music past David Torn, for Alive from Off Eye)
  • Come up (song "Solo;" co-written with Prince (musician))
  • After Eros (live trip the light fantastic toe; choreography by Maureen Fleming, music by Philip Glass)
  • Icarus at the Edge of Time (multi-media presentation; music by Philip Glass, pic by Al+Al, co-written with Brian Greene, based on Green's novel)
  • Yellow Face (YouTube video; Source of Adaptation simply)

Appearances [edit]

  • Maxine Hong Kingston: Talking Stories
  • The Chinese Americans
  • Literary Visions
  • Asian Pride Porn
  • Happy Birthday Oscar Wilde
  • Hollywood Chinese
  • Long Story Short
  • Joe Papp in Five Acts
  • Invitation to Earth Literature

Forewords/introductions/other texts [edit]

  • Red Scarf Girl: A Memoir of the Cultural Revolution
  • Asian American Drama: 9 Plays from the Multiethnic Landscape
  • Robot Stories and More Screenplays
  • The Bloom Drum Song
  • The State of Asian America: Activism and Resistance in the 1990s
  • The Monkey King (Source of Adaptation Simply)
  • Murder in San Jose (Translation Adaptation But)

Honors/recognition [edit]

Hwang has been awarded numerous grants, including fellowships from the National Endowment for the Arts, the Guggenheim[42] and Rockefeller Foundations, the New York Land Council on the Arts, and the Pew Charitable Trusts. He has been honored with awards from the Asian American Legal Defense and Education Fund,[43] the Clan for Asian Pacific American Artists, the Museum of Chinese in the Americas, the East Westward Players, the Organization of Chinese Americans, the Media Activity Network for Asian Americans, the Middle for Migration Studies, the Asian American Resource Workshop, the China Institute, and the New York Foundation for the Arts. In 1998, the nation's oldest Asian American theatre visitor, the East West Players, christened its new mainstage The David Henry Hwang Theatre. Hwang was featured in an autobiographical series by Boise State Academy with a summary of his early piece of work, every bit part of the Western Writers Series,[44] written by Douglas Street. In 2011, Hwang received the PEN/Laura Pels International Foundation for Theater Award as a One thousand Master of American Theater.[45] In 2012, he was awarded the William Inge Honour for Distinguished Achievement in the American Theatre,[46] the Asia Society Cultural Achievement Honour, the Prc Institute Blueish Deject Award,[47] and the Steinberg Distinguished Playwright Laurels.[48] In 2014, he received the Doris Duke Creative person Award. In 2015, he received the 2015 ISPA Distinguished Artist Award.[49]

Mr. Hwang sits on the boards of the Dramatists Club, Young Playwrights Inc., and the Museum Of Chinese in the Americas (MOCA). He conducts interviews on arts-related topics for the national PBS cable television prove Asian America. From 1994 to 2001, he served by appointment of President Bill Clinton on the President'due south Committee on the Arts and the Humanities.[50]

Hwang holds honorary degrees from Columbia College Chicago, the American Solarium Theater, Lehigh University, Academy of Southern California and State University of New York at Purchase.

In 2012, Hwang was named a Beau of The states Artists.[51]

In 2015, Hwang was named a Ford Foundation Art of Change Young man.[52]

In 2018, Hwang earned consecration into the American Theater Hall of Fame.[53]

Personal life [edit]

He lives in New York City with his married woman, extra Kathryn Layng, and their children, Noah David and Eva Veanne.[ commendation needed ]

In November 2015, Hwang was the victim of a stabbing near his home in Fort Greene, Brooklyn. The assailant stabbed Hwang in the neck, severing his vertebral artery, before running from the scene. Hwang was seriously injured and underwent surgery before being discharged from the hospital. The attack appeared to be random, as goose egg was taken; the assailant was never constitute. Hwang wrote most the experience in The New York Times.[54] [55] The stabbing as well inspired a semi-autobiographical portion of Soft Power, in which the atomic number 82 character, also named David Henry Hwang, is the victim of a random stabbing.

Selected published work [edit]

  • Broken Promises, New York: Avon, 1983. (out-of-impress; includes FOB, The Dance and the Railroad, Family Devotions, and The Business firm of Sleeping Beauties)
  • G. Butterfly, New York: Plume, 1988. (Acting edition published by Dramatists Play Service, Inc.; audio version available from L. A. Theatre Works; flick version available from Warner Bros.)
  • i,000 Airplanes on the Roof, Salt Lake Urban center: Peregrine Smith, 1989. (Original Music Recording available from Virgin Records)
  • Between Worlds: Contemporary Asian-American Plays, New York: Theatre Communications Group, 1990. (includes Hwang's As the Crow Flies and The Sound of a Phonation)
  • FOB and Other Plays, New York: New American Library, 1990. (out-of-print; includes FOB, The Dance and the Railroad, The House of Sleeping Beauties, The Audio of a Voice, Rich Relations and ane,000 Airplanes on the Roof)
  • Gold Kid, New York: Theatre Communications Group, 1998. (Acting edition published by Dramatists Play Service, Inc.)
  • Trying to Notice Chinatown: The Selected Plays, New York: Theatre Communications Grouping, 1999. (includes FOB, The Dance and the Railroad, Family Devotions, The Sound of a Voice, The House of Sleeping Beauties, Chains, The Voyage, and Trying to Find Chinatown)
  • Humana Festival 1999: The Complete Plays, New Hampshire: Smith and Kraus, 1999. (include Hwang's Merchandising)
  • Rich Relations, New York: Playscripts, Inc., 2002.
  • Flower Drum Song, music by Richard Rodgers, lyrics by Oscar Hammerstein II, book past David Henry Hwang; based upon the libretto by Oscar Hammerstein, Two and Joseph Fields and the novel The Flower Pulsate Song by C. Y. Lee; New York: Theatre Communications Group, 2003. (Broadway Cast Recording available from DRG)
  • 2004: The Best Ten-Infinitesimal Plays for Two Actors, New Hampshire: Smith and Kraus, 2003. (includes Hwang's Jade Flowerpots and Jump Anxiety)
  • Peer Gynt (with Stephan Muller), based upon the play by Henrik Ibsen; New York: Playscripts, Inc., 2006.
  • Tibet Through the Red Box, based upon the book by Peter Sis; New York: Playscripts, Inc., 2006.
  • 2007: The All-time Ten-Minute Plays for Iii or More Actors, New Hampshire: Smith and Kraus, 2008. (includes Hwang's The Smashing Helmsman)
  • Yellow Face; Theatre Communications Group, 2009. (Interim edition published by Dramatists Play Service, Inc.)
  • Chinglish; Theatre Communications Grouping, 2012. (Interim edition published by Dramatists Play Service, Inc.

References [edit]

  1. ^ Martin, Douglas (October 13, 2005). "Henry Y. Hwang Dies at 77; Founded Asian-American Bank". The New York Times. ISSN 0362-4331. Retrieved June 19, 2020.
  2. ^ "David Henry Hwang". Coalition of Asian Pacifics in Entertainment. Archived from the original on February 27, 2019. Retrieved Feb 27, 2019.
  3. ^ Diep Tran (May iii, 2018). "David Henry Hwang: Backward and Forward". American Theatre. Retrieved February 27, 2019.
  4. ^ "Prof. David Henry Hwang Teaches Playwriting and Revives 'Yard. Butterfly' on Broadway". Columbia University. Oct 3, 2017. Archived from the original on October 19, 2017.
  5. ^ Mel Gussow (May 20, 1990). "Review/Theater; Culture Shock in Hwang's 'F.O.B.'". The New York Times . Retrieved Feb 26, 2019.
  6. ^ "Obie Awards". Obie Awards. Retrieved February 26, 2019.
  7. ^ a b Frank Rich (March 31, 1981). "Phase: 'Dance, Railroad,' by David Henry Hwang". The New York Times.
  8. ^ Frank Rich (October 19, 1981). "Theater: Hwang'due south 'Family Devotions'". The New York Times.
  9. ^ "The Theatre of David Henry Hwang". Periodical of American Drama and Theatre (JADT). 29 (2).
  10. ^ Frank Rich (April 22, 1986). "Stage: 'Rich Relations'". The New York Times.
  11. ^ "Metamorphosis From Madama Butterfly to M. Butterfly and Miss Saigon". Theater Mania. Nov 7, 2017. Retrieved February 27, 2019.
  12. ^ Jake Cigainero (September 21, 2017). "At 83, the embassy worker at the center of the '1000. Butterfly' story is however an enigma". PRI. Retrieved February 27, 2019.
  13. ^ Margalit Fox (Oct 11, 1992). "MUSIC : A 'Voyage' Into Uncharted Waters : Philip Glass and coiffure--David Henry Hwang and David Pountney--venture into new territory at the Met". Los Angeles Times . Retrieved February 27, 2019.
  14. ^ Janet Maslin (October one, 1993). "Seduction and the Incommunicable Dream". The New York Times.
  15. ^ Stephen Hunter (January 28, 1994). "Hwang wrestled for years with the story that became 'Gilded Gate'". The Baltimore Lord's day.
  16. ^ Todd McCarthy (Baronial 8, 2002). "Possession". Variety.
  17. ^ Kenneth Jones (November thirteen, 2012). "Gilt Child, David Henry Hwang's Tale of Polygamy and Family unit, Opens Nov. 13 in NYC". Playbill.
  18. ^ Andrew Gans (Jan 13, 2016). "SFO Season Will Feature Francesca Zambello-Directed Aida and David Henry Hwang Opera". Playbill.
  19. ^ Mark Peikert (December 1, 2018). "Gloat sixty Years of Blossom Drum Song". Playbill.
  20. ^ a b Melissa Hung (August 13, 2018). "Six decades ago, 'Flower Drum Song' featured Hollywood's first Asian-American cast". NBC News . Retrieved February 26, 2019.
  21. ^ "Flower Pulsate Song". PBS. November eighteen, 2002. Retrieved Feb 26, 2019.
  22. ^ a b "David Henry Hwang: racial casting has evolved – and so take my opinions". The New York Times. December 11, 2007. Retrieved February 27, 2019.
  23. ^ William C. Boles (2013). Understanding David Henry Hwang. Academy of South Carolina Printing. p. 160. doi:ten.2307/j.ctv6wggqc. ISBN978-1611172874. JSTOR j.ctv6wggqc.
  24. ^ Esther Kim Lee (2015). Patrick Lonergan; Kevin J. Wetmore, Jr. (eds.). The Theatre of David Henry Hwang. Bloomsbury Publishing. p. 171. ISBN978-i-4725-1208-half-dozen.
  25. ^ "Unsuk Chin's Alice in Wonderland". Medici.tv set . Retrieved February 27, 2019.
  26. ^ Alan Riding (July 5, 2008). "Trying to Teach 'The Fly' to Soar Operatically". The New York Times . Retrieved February 27, 2019.
  27. ^ Laura Collins-Hughes (July 10, 2011). "Mail service-Broadway 'Tarzan' swings into North Shore". The Boston World . Retrieved February 27, 2019.
  28. ^ Andrew Clemens (July 6, 2010). "Icarus at the Edge of Time". The Guardian. Guardian Media Group. Retrieved February 27, 2019.
  29. ^ "David Henry Hwang's Chinglish on Broadway". The New York Times. October 25, 2011. Retrieved Feb 27, 2019.
  30. ^ "The Deoxyribonucleic acid Trial: A Genealogy of Short Plays Nearly Ancestry, Identity and Utter Defoliation". BroadwayWorld. March 10, 2010. Retrieved February 27, 2019.
  31. ^ "The Steven Barclay Bureau- David Henry Hwang". Stephen Barclay Agency. 2010. Retrieved February 27, 2019.
  32. ^ David Ng (June 10, 2013). "A play on YouTube? 'Yellow Confront' debuts, starring Christopher Gorham". Los Angeles Times . Retrieved February 27, 2019.
  33. ^ Carey Purcell (October 22, 2013). "World Premiere of David Henry Hwang's Kung Fu to Feature "And then You Think You Can Dance" Star Cole Horibe". Playbill.
  34. ^ Laura Collins-Hughes (March 28, 2014). "In the Beginning, the Words of Many". Retrieved February 27, 2019.
  35. ^ "Go out the Dragon". The New Yorker. February x, 2014.
  36. ^ "An Interview with David Henry Hwang on Writing for Outset's "The Affair"". Columbia University. November 22, 2016. Retrieved February 27, 2019.
  37. ^ Michael Dale (April 22, 2016). "David Henry Hwang Recalls The Fourth dimension He Wrote A Song With Prince". BroadwayWorld . Retrieved February 27, 2019.
  38. ^ Stephen Roddy. "Delving Deeper into "Dream of the Cerise Chamber"" (PDF). San Francisco Opera. Retrieved February 26, 2019.
  39. ^ "Tony Laurels-Winning Playwright David Henry Hwang to Succeed William Ivey Long as New Chair of the American Theatre Wing" (PDF). American Theatre Wing. Retrieved February 27, 2019.
  40. ^ Fung, Lisa (May 3, 2018). "'Soft Power' has a bandage that's almost entirely Asian. Here'southward why that's a radical thought for American theater". Los Angeles Times . Retrieved Feb 27, 2019.
  41. ^ Meyer, Dan. "David Henry Hwang and Jeanine Tesori's Soft Power Opens Oct xv" Playbill, October 15, 2019
  42. ^ "David Henry Hwang". Guggenheim Foundation. Retrieved Feb 27, 2019.
  43. ^ "Oct. 24: AALDEF theater political party for David Henry Hwang's G. Butterfly". September 29, 2017. Retrieved February 27, 2019.
  44. ^ Douglas Street (1989). David Henry Hwang. p. 51. ISBN0884300897.
  45. ^ "Winners of the PEN/Laura Pels International Foundation for Theater Awards". April 29, 2016. Retrieved February 27, 2019.
  46. ^ Adam Hetrick (August 1, 2011). "2012 William Inge Festival to Laurels David Henry Hwang". Playbill.
  47. ^ "2015 Blueish Deject Gala". Prc Institute. Retrieved February 27, 2019.
  48. ^ Adam Hetrick (Oct 3, 2018). "Suzan-Lori Parks Named 2018 Steinberg Distinguished Playwright Award Winner". Playbill.
  49. ^ "2015 Distinguished Artist Accolade Recipient David Henry Hwang". ISPA. Retrieved February 27, 2019.
  50. ^ "Princeton University Public Lectures: David Henry Hwang". Princeton University. March 23, 2018. Retrieved February 27, 2019.
  51. ^ "David Henry Hwang". United states of america Artists. Retrieved February 27, 2019.
  52. ^ "The Fine art of Change: Meet our visiting fellows". Ford Foundation. April 7, 2015. Retrieved February 27, 2019.
  53. ^ Lefkowitz, Andy (September 17, 2018). "Joe Mantello, Cicely Tyson, David Henry Hwang & More than Named Theater Hall of Fame Inductees". Broadway Buzz. Retrieved Feb 27, 2019.
  54. ^ David Henry Hwang (January five, 2016). "The Time I Got Stabbed in the Neck". The New York Times . Retrieved Feb 27, 2019.
  55. ^ Andy Mai, Greg B. Smith, Joe Dziemianowicz & Joseph Stepansky, 'Yard. Butterfly' playwright David Henry Hwang slashed in neck near Brooklyn dwelling house, New York Daily News (December three, 2015). Retrieved February 27, 2019.

Farther reading [edit]

  • Boles, William. "Understanding David Henry Hwang." Columbia: Academy of S Carolina Press, 2013.
  • Chen, Barbara. "A Conversation with David Henry Hwang" at the Wayback Machine (archived February 7, 2005). Yolk. 2001. Upshot viii.1 (Kelly Hu).
  • Lee, Esther Kim. The Theatre of David Henry Hwang. Bloomsbury, 2015.

External links [edit]

  • David Henry Hwang at IMDb
  • David Henry Hwang at Internet Off-Broadway Database
  • David Henry Hwang at Playscripts, Inc.

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Source: https://en.wikipedia.org/wiki/David_Henry_Hwang

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